Sung By:  Doris Day

"You'll Never Walk Alone"

Lyrics:

When you walk through a storm
Keep your chin up high
And don't be afraid of the dark
At the end of a storm is a golden sky
And the sweet silver song of a lark

Walk on through the wind
Walk on through the rain
Tho' your dreams
Be tossed and blown
Walk on
Walk on
With hope in your heart
And you'll never walk alone
You'll never walk alone

When you walk through a storm
Hold your head up high
And don't be afraid of the dark
At the end of a storm is a golden sky
And the sweet silver song of a lark

Walk on through the wind
Walk on through the rain
Tho' your dreams
Be tossed and blown
Walk on
Walk on
With hope in your heart
And you'll never walk alone
You'll never walk alone 

About Doris Day

From the trailer for the film Love Me or Leave Me (1955)

Love Me or Leave Me (film)

Doris Mary Ann von Kappelhoff (born April 3, 1924)^[1] is an American singer, actress, and animal welfare advocate known as Doris Day. A vivacious blonde with a wholesome image, Day was one of the most prolific actresses of the 1950s and 1960s. Able to sing, dance, and play comedy and dramatic roles, she is considered by some to be an all-round star. She has almost 40 films to her credit and has recorded approximately 45 albums.

Biography

Day was born in Evanston, a neighborhood within the City of Cincinnati, Ohio, to Alma Sophia Welz and William/Wilhelm Kappelhoff; three of her grandparents were German immigrants, at least one of them was Dutch.

The youngest of three, she had two brothers, Richard, who died before she was born and Paul, a few years older. She was named after silent movie actress Doris Kenyon, whom her mother admired.   Her family was Roman Catholic and her parents were known to have divorced. She later embraced Christian Science. Growing up in the 1930s Day developed an interest in dance, and by mid 1930s formed a dance duo that performed locally in Cincinnati until a car accident damaged her legs and curtailed her prospects as a professional dancer. However, while recovering Day took up singing. Soon she began to take lessons and at age 17 began performing locally. It was while working for local bandleader Barney Rapp that she adopted the stage name "Day" as an alternative to "Kappelhoff", at his suggestion as he felt her last name was too long. After working with Rapp, Day worked with a number of other bandleaders including Bob Crosby and Les Brown. It was while working with Brown that Day scored her first hit recording Sentimental Journey, which was released in early 1945 and soon became anthematic of the desire of demobilizing troops to return home. To some extent this song is still associated with Day, and was notably re-recorded by her on several occasions, as well as being included in her 1971 television special.

Movie career

During her time with Les Brown, and a brief stint with Bob Hope, Day toured extensively across the United States. Her popularity as a radio performer and vocalist, including a second hit record My Dreams Are Getting Better All The Time, led directly to a career in films. After her separation from second husband George Weidler in 1948, Day was set to leave Los Angeles and return to her mother's home in Cincinnati, when her agent, Al Levy, convinced her to attend a party at the home of composer Jule Styne Her personal circumstances at the time and her reluctance to perform contributed to an emotive performance of Embraceable You which greatly impressed Styne and his partner, Sammy Cahn. They then recommended her for a role in Romance on the High Seas (which they were working on for Warner Bros.). The withdrawal of Betty Hutton due to pregnancy left the main role to be re-cast. Thus, Day began her film career, in 1948, in a "peppy" Hutton-esque role. (The film was digitally remastered and released on DVD in May 2007.)

The success of this film established her as a popular movie personality, and provided her within another hit recording It's Magic. In 1950, US servicemen in Korea voted her their favorite star. Early publicity saddled her with such unflattering nicknames as "The Tomboy with a Voice" and "The Golden Tonsil." She continued to make saccharine and somewhat low-level musicals such as Starlift, By the Light of the Silvery Moon, and Tea For Two for Warner Bros., but 1953 found Day as pistol-packin' Calamity Jane in what has become one of Hollywood's most enduring musicals, winning the Academy Award for Best Original Song for "Secret Love" (her recording of which became her fourth U.S. No. 1 recording).

After filming Young At Heart, a lackluster musical, Day chose not to renew her contract with Warner Bros. and instead freelanced under the management of her third husband, Martin Melcher. Her range of roles broadened to include more dramatic roles. In 1955, she received some of the best notices of her career for her portrayal of singer Ruth Etting in Love Me or Leave Me, co-starring James Cagney. Doris would later call it, in her autobiography, her best film. She continued to be paired with some of Hollywood's top stars, including Jack Lemmon, James Stewart, Cary Grant, David Niven and Clark Gable.

In Alfred Hitchcock's The Man Who Knew Too Much, she sang "Whatever Will Be, Will Be (Que Sera, Sera)", which won an Academy Award for Best Original Song. According to Jay Livingston (who wrote the song with Ray Evans), Day preferred another song used briefly in the film, "We'll Love Again", and skipped the recording for Que Sera, Sera. When the studio pushed her, she relented, but after recording the number in one take, she reportedly told a friend of Livingston's, "That's the last time you'll ever hear that song." The song was used again in her 1960 film, Please Don't Eat the Daisies and was reprised as a brief duet with Arthur Godfrey in The Glass Bottom Boat; it also became the theme song for her television show. This was her only film for Hitchcock and, as she admitted in her memoirs, she was initially concerned at his lack of direction. She finally asked if anything was wrong and Hitchcock said everything was fine; if she wasn't doing what he wanted he would have said something.

After the critical and popular success of Teacher's Pet, Day's popularity at the box office seemed to wane and some critical attention focused on perceived elements of "blandness" in her on-screen persona, although in some foreign markets (Germany,